She also asked if I wouldn't mind spending a bit more time on the logo as she was more impressed with my ideas than the ones from the album artworker. In return she offered to send some money back for me with our mutual friend at Christmas. This was something I accepted straight away, as they're clearly pleased with my work and I thought it a good idea to establish a good working relationship with them as it could lead to further paid work in the future either with them or others from Bristol Institute of Modern Music.
She wanted the logo to look a bit grungier, sending me the below photo of an example. While this is very doable, finding a balance between the desired effect and retaining the legibility of the letters may be quite difficult.
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