I reached the following conclusions:
- The programme/book covers that had the clearest hierarchies used a lot of full capital type.
- More often than not sans-serif fonts are used alongside images so as not to distract from the images, often these fonts are thick woodblock-like fonts.
- Very few gradients, tints, and shades are used, instead the colour tends to be in the form of saturated blocks.
- The grid doesn't necessarily need to be set up using vertical and horizontal lines, there are numerous examples of diagonal grids that work really well.
- Changing the colour of particular words is often a more effective way of creating a hierarchy than changing the font because of the importance of colour association.
- The placement of text often seems to work around what images they're with and how important they are rather than there being a balance between the two.
From this trip Joe also suggested we collaborate on doing a series of posters for the 2016 European Championships after being impressed with this poster in particular.
This is something we'll look at doing in the future.
No comments:
Post a Comment